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Annual Spring Report 2017

It is interesting to look back on my previous spring reports to see how they vary from year to year. This year seems fairly normal.

Even though the crocuses were record early due to a mild winter, both March and April have been quite cold, so the pictures taken on May 1st is almost exactly like last year.

The woods have just the smallest hint of green to them, and this is mostly due to the last couple of days when the sun came out, and it is warming up. There is still snow in the mountains from the latest snowfall not many days ago.

The winter tyres have just been removed from the car, washed and are drying in the sun, and the summer tyres are on, – more than a week later than the general rules allow. However, they were needed just a few days ago.

The cherry tree has large buds, but no blooms yet. Just as well since there are few insects around.

The bulk of our daffodils are not out yet. The exception besides the early ones is the ones in sheltered spots and next to the south wall. The tulips by the south wall are also budding.

The flowering currant has been in bloom for some time, but the spiraea bush has just a hint of green around it, but no blooms yet. However, with the nice weather we are having now, it will not be long, I expect.

The sheep are enjoying the good weather too, although the lot in this photo were a bit worried. Someone with a dog, – on a leash, mind, as it should be this time of year, – was crossing the field below, so they ran for higher grounds. Lambs were separated from their mothers, so there was a lot of bleating and running around before the little ones got back to their respective guardians for a comforting suckle. Then all was well, and they could settle down and enjoy the glorious day.

 

And so do we. The weather forecast for the next week is glorious.

🙂

Eldrid

Lagre

The Quilted and the Non-Quilted Feast

The first day of our tour we spent sightseeing in Moscow, and in the afternoon we ended up inside the Novospassky Monastery, where a delicious meal had been prepared for our international group.

novospassky

We were to dine in one of the towers that sit on every corner of the wall surrounding the monastery.

The entrance was through a low door in the inside wall, up some long and narrow steps to the gallery, and again ducking through low doors and into the tower room.

It was a lovely sight: tables already set with lots of delicious food, old cupboards against the walls holding beautiful pots and crockery, traditional costumes on display, along with various crafted items, – and everything lit only by candles and the natural light coming through the small windows, filtered through blue and white glass.

Many old and newer samovars were displayed around the room and on the steps to the upper room:

We were told that we were going to have a traditional Russian meal, – as in a feast, – and our guide inside the monastery described each course as they were served: what they were, a little about tradition and production, how they should be eaten, etc.

I think there were more than ten different courses, – I lost count somewhere during the meal, – and all of it was delicious; the pumpkin soup, chicken and mushroom pie, pancakes with caviar, fish, pork, cucumber rolls and everything else.

We had sweetened mint flavoured juice to drink, – very good after a long and warm day out in the streets. Then there was cake and desserts along with hot tea made from lots of different sour fruits and berries, and sweetened with comb honey.

What a treat!


 

A week later we went into another monastery, in Suzdal, and inside one of the churches there, we laid eyes on another feast.

22 year old Xenia Shlyakova had single-handedly provided a full table of yummy food, – all made from fabric and set onto a large, handmade, table cloth.

There were all kinds of food:  fish with both red and black caviar, mushrooms, and chicken…..

……. pelmeni, cucumbers, roasted pig with vegetables, goose and apples, prawns with lemon and strands of dill……

….. breads in a basket with an embroidered napkin, and decorated bread or cake.

Bearing in mind the topic of the festival was Love, and Wedding, this would probably be the kind of decorated bread made especially for weddings. Note the poppy seeds on the braided loaf, – they are all tiny french knots.

Of course there were desserts too, – fruit, berries, cake, and cookies.

No feast is complete without something to drink.  In the bottle there is moonshine, and my guess is tea in the teapots and the samovar.

I wondered a bit about the boot on the top of the samovar, but Mr. Google informs me that it is used instead of a bellow to fan the fire inside the samovar.

And then the tea is sweetened with comb honey, – everything so neatly made, down to the last detail.

quilt

One the artist’s beautiful quilts was overlooking the table.

 

Both feasts were amazing experiences, and even though the last one was for the eyes only, it is remembered just as well as the one which we could also taste and smell.

 

🙂

Eldrid

 

 

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Quilts in Suzdal

At the International Quilt Festival in Suzdal there were many different exhibitions located in different venues around town.  There were both quilts for the Festival’s different competitions, and also special exhibitions of interesting and outstanding works. Most venues had a combination of the two.

tvillingkyrkjer-kveld

The quilts in this post were exhibited in the small church (winter church) to the left, behind the market square trading arcades.

The first glimpse through the door looked promising, and we were surprised to find not only quilts in the entrance room, but also some interesting ceramic sculptures, and a large egg covered in mosaics.

The medieveal themed quilts were made by Anna Veksler from St.Petersburg, and we were told that the ceramic sculptures were made by someone called Popov. I am not sure about the egg, except that it was beautiful, – that I know.

 

The main room was all painted white and with light coming in through low windows.  The building is not in use as a church any more, – not for the time being, anyway.

The exhibition in here was also a mix of quilts and ceramics.

 

In the room were a few benches to rest on, and they were also works of art. We were persuaded that it was ok to sit on them, though. They were very solid.

 

One of the competition categories was called “Made by Men”, and those quilts hung in this room. They were all made by male quilters, of course. A versatile collection with some nontraditional construction techniques.

 

There was also a collection of quilts from Japan, made by Yuriko Moriyama.

 

I also liked this work by Olga Bernikova.

 

The front end of the room was occupied by some of Galla Grotto‘s quilts, who also taught some classes at the show. She is an artist with an impressive body of works, – and not only textiles. I heartily recommend a visit to her website.

 

Alevtina Shevaldina made this quilt in the rug making technique. She had one in another exhibition too.

There were also several rugs in a special exhibition of old Russian quilts, which I will show in a later post.

 

quiltedfield14

Also, Japanese Keiko Nakamura was inspired by Alevtina Shevaldina’s quilts to make her entry for the Quilted Field.

 

And there were more ceramic sculptures, – in every corner, – and more quilts.

 

I’ll stop with these photos of Nelly Saveljeva’s quilt.

More to come.

🙂

Eldrid

 

Lagre

Annual Spring Report 2016

The photos below were all taken on May 1st, the date I have used to compare the progress of spring for some time now.

2016-0

The woods have just a hint of green, – most trees have only small buds, while a few early ones are sporting tiny leaves.

2016-0b

The pussy willow has been out for some time. There is still lots of snow in the mountains and temperatures have been quite low so far.

2016-1

Crocuses are mostly finished, most of the daffodils are budding, and so is the cherry tree.

2016-22016-3

 

Only the very early daffodils and the ones growing in the most sunny places are in bloom.

2016-4

The tulips along the south wall have large buds.

2016-5

The spiraea bush, – the very first bush that was planted in our garden nearly 40 years ago, is starting to sprout leaves, but no flowers yet. The rose bush to the right was planted about the same time, and will hopefully display its white roses in a couple of months.

2016-6

The field looks yellow and bleak, but there must be something green growing underneath since the deer turn up grazing there almost every day.

 

🙂

Eldrid

 

Transforming a Pillow

The mention of shoddy in my previous post, reminded me of a pillow I rescued from the bin when sorting out things at my parents’ house last summer.

shoddypute

I think it originally came from our grandparents’ home, and I remember sleeping with that pillow when I was a little girl. It was very lumpy back then, and even worse now. Nobody else wanted it, and my first thought was to toss it, but then I rather liked the two fabrics it was made of, and since it would also be good for supporting the breakables during our drive back home, it went into the car instead of the bin.

shoddy

Back home I opened it up and emptied the filling into a plastic bag. This is what shoddy looks like after it has been inside a pillow that has been used for more than 60 years. Very lumpy indeed.

shoddy2

Shoddy is made from old woolen garments, like the socks in my previous post, which have been shredded and carved into fibers, and then carded and made into fillings for pillows and duvets. Close up, one can see some of the original threads and many different coloured fibers.

shoddyputestoff

I washed the fabric and put it away in a plastic bin.

Then we bought a new sofa, and I needed a couple of new pillows. I had seen one in a recent quilting magazine which gave me some ideas, and when looking through my stash for some background fabric, the old pillow came to mind.

kutte

I brought it out, and decided to use both fabrics, and I could even keep the old seam. I cut it one ruler width from the seam on both sides, and then cut the length into two parts, one for each pillow.

Then I added strips of a blue cotton damask fabric, which I had dyed myself many years ago. The two backgrounds are a bit different in size as the inner pillows I had available were of two different sizes. I also turned the stripes horizontally on one, and vertically on the other.

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Then both backgrounds were layered and quilted with a wavy, on point, grid.

teikn sirklar

Next, I drew lots of circles in three different sizes on paper backed fusible web. They were ironed on to the back side of many different yellow, orange, red, and some purple scraps.

 

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Then I placed my “flowers” on the green and blue background. I moved them around till I was satisfied with their placement, then ironed them down.

 

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I sewed around each circle using the satin stitch on my machine. Since the background was layered and quilted, there was no need for a stabilizer.

stilk

I drew some stems with chalk, and then sewed them using a wider satin stitch.

blad

In order to make some leaves, I ironed strips of different greens onto fusible web. Then I drew some leaf shapes in different sizes, and made some templates which I used to draw on the paper side of the fusible web already ironed to the strips. I cut out lots of leaves so I would have some to choose from when distributing them on the background.

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When I was satisfied with the placement, I ironed and sewed around all the leaves using the satin stitch.

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Then I only had to make backings for the pillows. Since I did not have zippers available, I made the envelope style backing. I use that a lot.

ferdig2

And onto the sofa they went.

🙂

Eldrid

The Four Seasons Embroidered Frieze

This summer Kaffe Fassett’s exhibition “50 Years of Colour” has been on show at Hadeland Glassverk here in Norway. I finally got to see it during its last week, and it was indeed glorious. But I also got to see a lot more.

Since we had travelled a long way for this, and stayed a couple of nights, we also decided to visit the nearby Blaafarveverket in Modum, as we had heard they usually have some good exhibitions there during summer.

blaafarveverket

On arrival we were presented with the options of buying discounted tickets for any two of three sites, or all three. We thought that we had time for only two, and when hearing that one of them had some embroidery on show, we decided on that one, in addition to the main site, – which showed paintings in blue colours and also lots of blue glass and china, linked to the former production of cobalt mined in this area.

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The second site, Nyfossum, used to be the director’s dwelling. The old house and gardens are being restored to former glory, while the log barn in the photo above has been turned into a gallery to house the annual summer exhibitions.

What a surprise to step into the barn and discover that the embroidery on show was actually THE Four Seasons Frieze, also called the Life Frieze, made by Torvald Moseid during the years 1961-1977. I had read about it in some magazine many, many years ago, and I think I also may have glimpsed it on tv at some time, but had never seen it in “person”.

Impressive is an understatement. It is 62 meters long and 58 centimeters tall, and all in one long piece of linen fabric, embroidered all over, mostly using the couching stitch with yarn spun from wool from the double coated Norwegian tail-less breed Spelsau.

The whole piece was hung around the walls in three separate rooms and a hallway. It was not possible to see all of it at once, – you had to move from room to room.

 

Below are more photos showing details from the frieze. I have put them into four groups, one for each season.

For every season there was also a small text explaining some of the scenes. As they were only in Norwegian I have tried to write up an English version, but I fear the poetry of the texts got lost in translation.

springtext

Spring
Early spring starts with naked trees and dead leaves.

The break through is like a powerful gust of wind. Flocks of migratory birds are carried by the wind. They fly with their heads stretched out towards the spring, and the wind is playing in groves and thickets.

The woods turn green, and flowers spring. The tree of spring spreads its glory like an open fan.

Flowers and plants are grown and tended to. Two who are enthralled with each other stand in the middle of them, as if they are part of the flowers’ beauty and vitality.

 

 

summertextSummer

Summer starts with the big wedding feast. Flutes are played, and in the flowering fields there are undulating rows of dancers.

The summer bride has got her finery on. She has a classic profile, she is pale, and a myrtle garland is tied around her brow. The summer breeze is playing with her long hair. A knot of glorious summer flowers is tied behind her neck, and the wind blows her bridal veil into the wedding feast.

The wedding feast is like a flaming bonfire which turns into cascades of colourful midsummer plants.  The midsummer sun shines in bright red and yellow.

Midsummer blooming has a boundless lavishness of shapes and colours. Large flower bowls are opening up, and children are playing with pollen stamens.

 autumntextAutumn

The birds bring the first signs of autumn. They pull golden threads across the earth. The threads turn into light, golden veils which are pulled over the woods.

Nature closes down towards the winter time. Colours and shapes change the trees and plants. Large, brown, knotty plants with filled seed pods are contrasting with the blue.

 

wintertext

Winter

The winter opens with the stormy wind hitting the trees, and dead leaves in brown, yellow, and red are blown into the air.

Through winter cold and frost the death rider on his wild horse charges into the night. Nature is desolate and silent.

The wind plays with light snowflakes, and they are dancing around like pearl embroidered suns.

In the darkness of the winter night a flaming ice rose shines like the fiery northern lights, filled with hope.

 

Needless to say I was above impressed when walking along the frieze, trying to take it all in, – and even more so now, when working with the photos for this blog post, and I really got to study the details.

One cannot help but wonder about the drive and stamina that the artist would need to finish a piece like this. And even so, when comparing the beginning and the end, one can almost get the impression that he did not want it to end, as the sheer masses and density of the stitches are ever increasing towards the end.

Still, the artist has produced two similar works of art after this one. His second frieze, the 50 meters long Orfeus and Euridike (1978 – 1985), was also displayed at Nyfossum in the neighbouring rooms, and was almost as impressive as this one, although a bit different.  I took lots of photos here as well.

His third and last work of this scale, is the 70 meters long frieze based on Draumkvedet, a Norwegian medieval ballad often compared to Dante’s Divina Commedia.  This was finished in 1993. I should like to see that one as well, – maybe I will be so lucky some time in the future.

🙂

Eldrid

ps

“The Four Seasons” and “Orfeus and Euridike” will hang at Nyfossum till the middle of September this year. There are still two more weeks to get to see them.

Annual Spring Report 2015

May 1st has come and gone, so my annual spring report is overdue, but here it is.

spring15a

I guess there is no such thing as a “normal” spring, but if there were, this would be close, I think. At least this is very close to my memories of what spring used to be.

spring15b

Since we were going away on May 1st, I took these photos in the evening the day before, and nothing had changed much overnight, so I think they count as May 1st photos.

We have had a relatively mild winter with little snow here on the coast (inland dwellers will tell a different story), but the spring has been quite cool, especially April. The leaves on the birch trees have just started to come out, but very slowly.

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The daffodils are budding, and a few are in bloom.

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The exceptions are the ones by the walls facing south, they have been blooming for some time. The crocuses are all finished, unlike the very cold spring 2 years ago, when they were still in full bloom on May 1st.

spring15c

The flowering currant bush is also in full bloom, ….

spring15f

…. but none of the rhododendrons have shown their colour yet, – not even the early ones.

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The tulips by the wall are ready to bloom, and were opening up when we arrived back home two days later.

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The rose bush has got some green leaves, but the spirea bush only has a hint of green on it.

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No leaves on our old rowan tree yet, but it is budding. We still have snow falling now and again.

As we travelled into the fjords on May 1st, we could see that there was still a lot of snow in the mountains, and the greenery varied from quite green to none at all, depending on whether the slopes were facing south or north, and on the altitude. Some high lying farms inland still had their fields covered with snow.

 

 

🙂

Eldrid