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    Ormen Lange Bargello

    Pattern for the Ormen Lange bargello quilt

  • Mosaic Circles

    Downloadable pattern for Mosaic Circles

  • Bargello Flame

    Downloadable pattern for Bargello Flame

  • Bargello Dancing Flames

    Downloadable pattern for Bargello Dancing Flames

  • Somerset Pillow

    Downloadable pattern for Somerset Pillow

  • Nine Patch Kameleon Quilt

    Downloadable pattern for Nine Patch Kameleon Quilt

  • Downloadable pattern for Autumn Bargello

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Heart Shaped Bag

Youngest grandson wanted to make a bag as a birthday present for his mom. He was very determined that it should be shaped like a heart, and it had to be red. Before he came to visit, I made sure I had some red  fabric available, plus iron on vliseline, and some sturdy woven ribbons for the handles.

We discussed various heart shapes, and decided that a shape with a rounded “bottom” would work better for a bag than one with a pointed “bottom”.

Drawing a heart pattern is easy. Just fold a paper in half, and draw half of the heart shape the size you want, then cut out.

The next thing we did was to cut two heart shapes out of vliseline.

We ironed the two vliseline shapes on to the wrong side of the red fabric and cut out.

I insisted that the bag should be lined. He was a bit sceptical as he had never made a lined bag before, but I explained that it would be easier to sew a lining than to fold and hem the rounded edges, so he went along. We chose a lining with a pattern of book ends. He thought it would fit very well as his mom loves books and works in a library.

Then he had quite a job zig-zagging the edges, all the way around each shape.

Then we pinned the outer shapes, and tried the placement of the handles for best balance. We wanted the heart shape to show also when carrying the bag, and found that if placed too far out, the bag would “collapse” the middle part, and if placed too far towards the centre, the sides would sag.

We also decided on the size of the opening at the top. The opening can be as large as you like, depending on where the side seams start.

We marked where we wanted to start the seams. Then the handles were placed and pinned in position for sewing on the right side of the fabric.

Next the lining was placed on top, right sides together, then pinned along the curved edges and sewn between the marks. Clip the seam allowance, especially in the “valley”. Turn right sides out and stitch the edge from the right side.

Both halves of the bag had to be sewn like this before we could go on.

Next, we had to fold away the lining fabric, place the red fabric parts right sides together, pin and sew the side seams, right up to the marks, or as far as we could manage.

Then we did the same with the lining fabric, – both sides pinned together….

….. except for a short distance of approximately 15 cm near the bottom, as there has to be a small opening so the bag can be turned right sides out after sewing. This was the fun part, – he was very thrilled to see the bag emerge through this small opening. Then we sewed the edges across the side seams, and sewed shut the opening in the lining.

Voila…. bag finished!

Both the maker and the recipient were very happy with the bag. It is a perfect carrier for mom’s knitting projects.

🙂

Eldrid

 

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Rendezvous in Røros

27 years ago my family and I visited Røros during a holiday trip.

In the museum there was an exhibition of textile art, and among them were several works by artist Ela Monsen.

 

I was so impressed by her work at the time that I took several photos, using a cheap camera I had at that time, – and also using the expensive film and paper copies of that time. I wanted to remember what I saw.

 

The wall hangings were hung in a room with dark drapes on the walls, and even though my small flash light did its meager best, the photos were only so-so, – even by my then standards. But they were recognizable.

A couple of weeks ago, my husband and I visited Røros again, and we stayed at Røros hotel. In the lobby, I was pleasantly surprised to see the wall hanging with the dancing couple hanging on the wall.

 

Of course I recognized it at once, and was happy to be able to see it in better light conditions, and to be able to study the details. Of course I did not think twice about taking lots of photos, – these days photos are cheap.

The next morning I was again pleasantly surprised to see another of her works in the dining room:

 

This rendition of a wedding feast is the one I thought most impressive back in 1990, so I was very happy to be able to study it in closer detail. It has not lost its impact since then.

Ela Monsen died in 1978, so these two hangings were made just one and two years before her passing. Luckily, some of her works hang in public places so we can continue enjoying them.

🙂

Eldrid

 

 

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Bags

I have been on a roll lately, making bags.

I was inspired by a super easy tutorial on Pink Penguin’s blog, and suddenly I had made seven small bags. Six of them can be seen below, – I lengthened the handles a bit, and changed the shape of the bottom compared to the original.

Four of them have been sold or given away already.

 

Then I wanted to try computer printing on linen, and made a couple of designs  that fitted on a large sheet. The result can be seen below. I like longer handles so I can carry the bag on my shoulder, even if the bag itself is not very large. The black fabric is furniture suede, the others are linen and cotton.

The Norwegian text says: “If only the best bird were allowed to sing, the woods will become very quiet”, and: “Sing with the beak you have got”

🙂

Eldrid

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Endearments to History

Summer can be a hectic period with travelling, visiting family, have family visitors, minding the grandchildren, (a favourite occupation), and with everything else that needs to be done around the houses and gardens. It is also the time of year when you can expect to find exciting stuff in many of the smaller galleries in the area. I finally got around to visiting the closest one, Kulturhuset “Heimen”, and was blown away with their current exhibition, which is in its last week, by the way.

 

 

I was especially taken by the collection of  works by textile artist Edith Bentdal Skjeggestad, which she has called “Endearments to History”.

 

 

Ms Skjeggestad has used lots of old lace, fragments of garments, table linen fabric and towels, and arranged the pieces so you get the illusion of a dress bodice or blouse, focusing on the area closest around the neck.

 

 

She has made use of many embroidery techniques to make each unique piece into a visual feast, with lots of details to study and admire. Just look at that fabulous smocked piece, for instance.

 

 

I was impressed by the embroidery made with thin, black thread. It gave the impression of a patterned fabric as well as a textured background, depending on the stitches.

 

 

The collages were set in deep, white, glass fronted frames, and bore titles such as “Flirt”, “Romance”, “Sadness”, “Nostalgia”, and “Longing”, all with lots of embellishments.

 

 

Most were definitely “female”, but there were also a few pieces like the one above, called “Wonderboy, white collar”. It made me almost feel sorry for the menfolk who had to dress so simply and monotonously, compared to all the beautiful lace, embroidery and pearls shown on the other pieces.

 

 

There was also a project called “The Embroideress’ Secrets”, which consisted of a large group of smaller, deep frames, or boxes. In these frames were shown small collages of different sewing equipment and small, exquisite, examples of handmade items connected with the different equipments. The reflections in the glass made it a bit difficult to photograph, but below are a few of the boxes:

 

 

Again, here were lots of details to study. I especially liked the small Russian doll showed with the red embroidery.

 

 

There are also works by other artists exhibited in the gallery, like these prints by Jertrud Eikås Eide and ceramics by Anne Lise Aarset. The sculptures by Aase Botnmark in the window are in this gallery on a permanent basis.

 

 

But the other exhibitions will be taken down this weekend. Just a few days left. Hurry if you want to see it.

🙂

Eldrid

 

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The Fantastic Seam Ripper

Grandson has finished his very colourful shirt, which has been in the works on and off for some months now. Last of all he sewed the button holes for the buttons.

Then he discovered what a wonderful instrument the seam ripper can be. It sheared open the button holes soooo easily. This was real fun.

A few minutes later, our test patch looked like this:

Too much fun to stop. Luckily, we have no shortage of fabric scraps to serve as test patches in this house.

🙂

Eldrid

Fashion Show in Suzdal

I mentioned in a previous post that I would post some photos from the Fashion Show in Suzdal, and finally, here they are.

The Fashion Show was held on a stage built in the middle of the town square, and was part of the entertainment on the annual Suzdal Day, which is celebrated on the second Saturday of August.

They kept going for almost two hours, as participants of all ages were showing more than a hundred different outfits. Because of the crowd of people in front of the stage, it was difficult to get up close, so I had to use the zoom a lot, which lessen the chance of getting clear shots.

Below are a few of the outfits. All the information from the stage was in Russian only, so sadly we missed out on a lot of the details. So I will not be able to inform on the names of the designers or wearers of the outfits, except for a few that I have picked up on later.

 

fashione10Nina Lee in her beautiful skirt and waistcoat.

fashione11I believe this is also one of Nina Lee’s creations.

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Ludmila Charest presents a collection of outfits made in a class with Xenia Dmitrieva. See also video clip below.

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Many of the dresses seemed to be inspired by folk costumes.

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Denim was popular, either as new fabric or re-purposed jeans. Note the bird theme.

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There were a few collections of children’s outfits. They were adorable, – all of them.

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A few of many, many skirts, coats and jackets.

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A collection of outfits in an old fashioned style, and with some patchwork details.

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This one got a lot of attention. The design was inspired by the town of Suzdal, with all its churches and bell towers,

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A couple of fanciful skirts, – very original. I liked them better and better each time I saw them around town during the following days.  There was a whole collection with similar dekor.

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Behind the scenes:  Cuddling the baby while waiting to enter the stage.

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“Backstage” was in reality at one of the sides of the stage, so while the participants were lining up waiting for their turn, some lucky persons got to photograph the outfits up close.

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Walking around the square after the show doing some shopping in one or more of the many booths, there were some interesting clothing items around to study and admire.

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Some video clips from the fashion show:

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Enjoy.

🙂

Eldrid

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The Quilted and the Non-Quilted Feast

The first day of our tour we spent sightseeing in Moscow, and in the afternoon we ended up inside the Novospassky Monastery, where a delicious meal had been prepared for our international group.

novospassky

We were to dine in one of the towers that sit on every corner of the wall surrounding the monastery.

The entrance was through a low door in the inside wall, up some long and narrow steps to the gallery, and again ducking through low doors and into the tower room.

It was a lovely sight: tables already set with lots of delicious food, old cupboards against the walls holding beautiful pots and crockery, traditional costumes on display, along with various crafted items, – and everything lit only by candles and the natural light coming through the small windows, filtered through blue and white glass.

Many old and newer samovars were displayed around the room and on the steps to the upper room:

We were told that we were going to have a traditional Russian meal, – as in a feast, – and our guide inside the monastery described each course as they were served: what they were, a little about tradition and production, how they should be eaten, etc.

I think there were more than ten different courses, – I lost count somewhere during the meal, – and all of it was delicious; the pumpkin soup, chicken and mushroom pie, pancakes with caviar, fish, pork, cucumber rolls and everything else.

We had sweetened mint flavoured juice to drink, – very good after a long and warm day out in the streets. Then there was cake and desserts along with hot tea made from lots of different sour fruits and berries, and sweetened with comb honey.

What a treat!


 

A week later we went into another monastery, in Suzdal, and inside one of the churches there, we laid eyes on another feast.

22 year old Xenia Shlyakova had single-handedly provided a full table of yummy food, – all made from fabric and set onto a large, handmade, table cloth.

There were all kinds of food:  fish with both red and black caviar, mushrooms, and chicken…..

……. pelmeni, cucumbers, roasted pig with vegetables, goose and apples, prawns with lemon and strands of dill……

….. breads in a basket with an embroidered napkin, and decorated bread or cake.

Bearing in mind the topic of the festival was Love, and Wedding, this would probably be the kind of decorated bread made especially for weddings. Note the poppy seeds on the braided loaf, – they are all tiny french knots.

Of course there were desserts too, – fruit, berries, cake, and cookies.

No feast is complete without something to drink.  In the bottle there is moonshine, and my guess is tea in the teapots and the samovar.

I wondered a bit about the boot on the top of the samovar, but Mr. Google informs me that it is used instead of a bellow to fan the fire inside the samovar.

And then the tea is sweetened with comb honey, – everything so neatly made, down to the last detail.

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One the artist’s beautiful quilts was overlooking the table.

 

Both feasts were amazing experiences, and even though the last one was for the eyes only, it is remembered just as well as the one which we could also taste and smell.

 

🙂

Eldrid

 

 

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